Heart of Darkness :: essays papers

Heart of Darkness Life in capital of the United Kingdom set a cushion for its citizens, with solid pave ment under your feet, ring by kind neighbors ready to cheer you or to f each(prenominal) in all you, stepping finely between the butcher and the policeman, in the holy terror of s goatdal and gallows and daredevil asylums. On the other hand, once a man enters the congo, he is all alone. No policeman, no warning voice of a kind neighbor, -- no one. Joseph Conrads Heart of Darkness sets Marlow on a journey in the Congo, where he realizes the environment he comes from is not reality, but an illusion concealment true human nature. His arrival at the First Station is his starting time exposure to the Congo where a horrid reality and nave mental capacity is revealed -- a comparison of darkness and decrepit.The chosen passage falls in the beginning of the narrative to set a picture of what to expect at upcoming stations. Marlow leaves London, his home, and his Aunt to tra vel to his first stop on the Congo River the First Station. Here, Marlow begins to realize the unspeakable horror that dwells. Six black men advanced in file I could see every rib, the joints of their limbs were exchangeable knots in a rope each had an iron collar on his neck, and all were connected together with a chain whose bights swung between them. Marlow disapproved of what he saw and chose to avoid the six men. After his encounter with the gang, he meets the headsman Accountant, a well-dressed, tidy man, whom he admires. I respected his collars his appearance was for sure that of a hairdressers dummy but in the neat demoralization of the land he kept up his appearance. Thats backbone. (Pg. 227) disrespect the dehumanization surrounding them, there still stands a man who can present himself properly. The first chapter of the novel is framed to present invigoration in London, then contrasting it with a picture of the savage Congo, and ending by showing that civilized life can still exist in the jungle.Diction plays two pertinent roles in the passage to commence imagery and to label objects or people. Diction reflects the extent of the contrasting light and darkness of the station that the imagery creates. In the midst of mounds of turned-up earth by the shore a waste of excavations, Marlow notes a blinding sunlight drowned all this at times in a sudden recrudescence of glare.